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Suddenly, she cannot separate the Golem from her dead son Joesph and forms a maternal bond to the creature. This instantly makes it more creepy, and creates an intriguing story for Hanna. Typically Golems on-screen (big and small) are monstrous beasts of fantastic stature. After their village comes under siege from a madman, Hanna takes it into her own hands to save her people by bringing forth a Golem, with very unexpected consequences. Her only passion in life is her study of the Holy texts, something which Benjamin, and other men in the village, frown upon.
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Her relationship with husband Benjamin (Ishai Golan) seems to be more one of duty and obligation, rather than love. Hanna (Hani Furstenbera) is a lonely woman grieving the loss of her son seven years prior. It’s also a much slower affair with very few moments of true horror. The Golem could not be more different to Jeruzalem.
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Now they return to Frightfest with their first English language feature film, The Golem, Set in the modern era, Jeruzalem was a found-footage film based around a group of tourists and the end of the world. The Golem Reviewĭirecting duo The Paz Brothers sprung onto the Frightfest scene a couple of years back with Jeruzalem. Pin The Golem: The age-old fable of a man-made killing vessel gets a slight reworking from the directors of Jeruzalem.